Christina M. Spiker

Christina M. Spiker

Art Historian | Professor | Digital Humanist

Course // Arts of Japan (St. Olaf College)

COURSE INFORMATION

Arts of Japan
ART/ASIAN STUDIES 260 | St. Olaf College

DESCRIPTION

Survey the arts of the Japanese archipelago from the Neolithic period to the present day. This course investigates diverse works such as funerary remains, Shintō architecture, Buddhist sculpture, castle architecture, woodblock prints, hanging and hand scrolls, gardens, tea ceremony, oil and ink painting, performance, photography, and fashion design. We will use visual analysis to discuss themes such as patronage, religious expression, social organization, traditional technologies, indigenous and imported techniques, urban design, and the political functions of art. This course will emphasize various connections between Japan and other cultures through the 21st century that have helped shape Japan’s dynamic aesthetic traditions.

TAGS

Public Lecture // Nostalgia as Remedy: Modernity and Sentimentality in Japanese Woodblock Prints of the Meiji Era (The Catherine G. Murphy Gallery)



CITATION

Spiker, Christina M. “Nostalgia as Remedy: Modernity and Sentimentality in Japanese Woodblock Prints of the Meiji Era,” public lecture delivered at the Catherine G. Murphy Gallery in conjunction with the exhibition Nostalgic Femininity: Japanese Woodblock Prints from The St. Catherine University Archives & Special Collections (May 13, 2019).

ABSTRACT

Christina M. Spiker, Visiting Assistant Professor of Art History and curator of the current exhibition, Nostalgic Femininity, will discuss the broader historical and social contexts that inform the relationship between nostalgia and feminine imagery in the work of Japanese printmaker Yōshū Chikanobu and his peers. Learn about print styles from late nineteenth-century Japan using examples from St. Catherine University’s Archives & Special Collections.

VIDEO

A video of the lecture can be watched on The Catherine G. Murphy Gallery website.

TAGS



Website // Japanese Woodblock Prints @ St. Kate’s w/ MaryJane Eischen (Scalar 2)

CITATION

Eischen, MaryJane, Christina M. Spiker, and Nicole Wallin. Japanese Woodblock Prints @ St. Kate’s. Scalar 2. 2019.

DESCRIPTION

Through the Assistant Mentorship Program at St. Catherine University, MaryJane Eischen ‘20 worked with curator Christina M. Spiker to create Japanese Prints @ St. Kate’s, a website to supplement both the gallery and library exhibitions. This digital component was built using Scalar 2, a technological publishing platform developed by the University of Southern California. The website catalogs the entirety of the Japanese woodblock print collection in the St. Catherine University Archives & Special Collections and provides additional information about all prints and artists on display in each show. MaryJane also utilized a program called Timeline JS, which was developed by Northwestern University Knight Lab. This software was used to create two JavaScript timelines documenting both the artists in the collection and the ways these prints intersect with the history of Meiji Japan. The website also includes exhibition essays by Christina M. Spiker and Nicole Wallin ‘19.

Exhibition Catalog // Nostalgic Femininity & From Flowers to Warriors: Japanese Woodblock Prints from the Archives & Special Collections (The Catherine G. Murphy Gallery)



CITATION

Spiker, Christina M. “Nostalgia as Remedy: Contextualizing the Japanese Woodblock Prints in the St. Catherine University Archives and Special Collections.” In Nostalgic Femininity / From Flowers to Warriors: Japanese Woodblock Prints from The St. Catherine University Archives & Special Collections. Exhibition catalog. (The Catherine G. Murphy Gallery, 2019).

VIDEO

You can read my essay digitally or download the entire exhibition catalog through our digital exhibition.

TAGS



Exhibition // Nostalgic Femininity: Japanese Woodblock Prints from the St. Catherine University Archives & Special Collections (Catherine G. Murphy Gallery)

CITATION

Nostalgic Femininity: Japanese Woodblock Prints from the St. Catherine University Archives & Special Collections, curated by Christina M. Spiker, Ph.D, Catherine G. Murphy Gallery, St. Catherine University, St. Paul, MN (April 13-May 26, 2019)

ABSTRACT

Drawing from items in the University’s Archives & Special Collections, this exhibition explores the relationship between nostalgia and gender in Japanese woodblock prints of the late nineteenth century. The show features various prints by Meiji-period artist Yōshū Chikanobu alongside select examples by Miyagawa Shuntei, Utagawa Kunisada I, Mizuno Toshikata, and Toyohara Kunichika. It will open alongside a complementary library exhibition and digital supplement.

TAGS

Exhibition // From Flowers to Warriors: Japanese Woodblock Prints from the St. Catherine University Archives & Special Collections (St. Catherine University Library)

CITATION

From Flowers to Warriors: Japanese Woodblock Prints from the St. Catherine University Archives & Special Collections, curated by Christina M. Spiker with MaryJane Eischen and Nicole Wallin, St. Catherine University Library, St. Catherine University, St. Paul, MN (April 13 – May 26, 2019)

ABSTRACT

Drawing from items in the University’s Archives & Special Collections, this exhibition builds on the concurrent show Nostalgic Femininity in the Catherine G. Murphy Gallery to explore a broader range of topics in nineteenth-century printmaking, from delicate studies of flowers to intense scenes of battle. The show features various prints by Meiji-period artists Utagawa Yoshitora and Tsukioka Yoshitoshi alongside select examples from other artists including Showa-period shin-hanga artists Aoyama Masaharu, Asada Benji, and Ohno Bakufu. It will open alongside a digital supplement.

TAGS

Course // Visual Culture in Modern Japan (St. Olaf College)

COURSE INFORMATION

Visual Culture in Modern Japan
ART 276 | St. Olaf College

DESCRIPTION

Explore Japan through the mass production, distribution, and consumption of Japanese visual and popular culture. Students will learn how to analyze a diverse array of visual material—architecture, advertising, animation (anime), art, comics (manga), digital idols, film, graphic design, mascot culture, music, and video games. In discovering the popular construction of “Japaneseness,” the course will proceed thematically to address issues of nationalism, race, gender, domesticity, consumer culture, subculture, environment, and Japan’s relationship with its minorities from 1950 to 2015. Using methodologies from visual studies, media studies, art history, film studies, and anthropology, the goal of this course will be to rethink Japan as a site of local and global pop culture flows.

TAGS

Course // Godzilla to Hello Kitty: Japanese Popular Culture (UC Irvine)

COURSE INFORMATION

Buddhist Art & Architecture
FILM & MEDIA STUDIES 160 / ART HISTORY 150 | University of California, Irvine

DESCRIPTION

Explore Japan through the mass production, distribution, and consumption of Japanese popular culture. Students will learn how to analyze a diverse array of visual material-architecture, advertising, animation (anime), art, comics (manga), digital idols, film, graphic design, mascot culture, music, and video games. In discovering the popular construction of “Japaneseness,” the course will proceed thematically to address issues of nationalism, race, gender, domesticity, consumer culture, subculture, and Japan’s relationship with its minorities from 1950 to 2012. Using methodologies from media studies, film studies, art history, and anthropology, the goal will be to rethink Japan as a site of local and global pop culture flows from Godzilla to Hello Kitty.

TAGS

css.php